Black metal is about individualism. Often times it comes dressed up in vestments of Satanism or Paganism or misanthropy, but at it’s core it’s about the freedom of the individual in the face of society (NSBM notwithstanding); a rejection of necessary and external social norms in pursuit of internal individual vision.

This of course comes in many flavors – from bombastic Wagner-inspired Nietzschean viking metal longing for forgotten days, to introspective post-black-metal retreating from the world to a place of inner beauty, to the uncompromising misanthropic hatred coming from the second wave of Norwegian black metal. The expressions are diverse and are wrapped up in the particular ideologies and aesthetics of the bands – but they are all tied together by a string of dissatisfaction with the state of things; a desire to break away from the status quo.

Long before the first corpsepainted hand picked an electric guitar, there was a man from the heart of Europe who shared these sentiments. Disgusted by the hypocrisy and incensed by the herd mentality of the church of his day, he made a statement bigger than burning a church ever could. 95 statements, in fact. His name was Martin Luther, and his cause was the rejection of necessary and external social and religious norms in pursuit of internal individual vision. His cause was freedom of conscience.

“Therefore I cannot and will not recant, for to go against conscience is neither right nor safe. Here I stand; I can do no other.”

Black metal in its more traditional forms has tended to posture itself against certain things: against society, against Christianity, against pop culture, against people in general at times. This is not unexpected: the individualist must rail against the herd mentality wherever it may be found. Yet in many cases, like a child taking “Fido” to mean all dogs, many black metal bands came to rail against these things not for the sake of individualism, but for the sake of being against these things as evils in themselves. At one point (and still to some) antitheist philosophy was even a necessary prerequisite to black metal.

Thus, one herd mentality has been substituted for another. And so as the individualist thread wears thinner, we get strong contingents of black metal bands (NSBM and otherwise) built on philosophies of cultural pride to the point of xenophobia. We get paganism just as puerile as the worst of Suburban religious practice. This is not individualism; this is not the spirit of black metal.

So in that spirit, the next album Festes Burg will be thematically based on the Reformation. There will be five tracks corresponding to the five Solas of Protestant doctrine, as well as several shorter interlude songs.

Martin Luther was one of the greatest individualists of our age. Let the black metal community stand with him in condemnation of rote tradition, blind following, and the unexamined life. Certainly there is herd mentality to be found everywhere. Certainly there is need for reformation now as then; for constant self-examination in the face of unquestioned belief. Yet let the community not be too hasty in homogenizing a group which it views from the outside: it has more in common with the core of the Reformation than many might like to admit.

So head on over to the Gaudete last.fm page – as always, it’s a free download!

SALIGIA will have been out for 5 months tomorrow, and that time has not been ill-spent. A new album, for now entitled “Festes Burg”, is in its nascent stages.

What will it sound like? The songs will be more musically-thematically focused and less metal-centric than those on SALIGIA. But it is not a return to Ero Cras: innovation does not soon die, and there are more than a few surprises in store.

No, that’s not SALIGIA: The Movie, despite it being six parts. I know there’s no good reason for it to be 558 MB, but oddly enough the compressor doesn’t want to give me a good compression ratio on any of the songs but Ira. If anyone wants to re-FLAC these with better compression, I’d be much obliged and will update the links accordingly.

UPDATE: Problem solved. SALIGIA-FLAC is now available in 2 RARs weighing in at a total of 333 MB. You can use these links to download it (Part 1 | Part 2).

Also, high-resolution artwork for SALIGIA is now available on the Downloads page. Enjoy!

I am a Christian. That comes through in the lyrical themes, but Epta Astera is not an explicitly evangelistic tool. Though that has its place, I think the efforts of Christians to penetrate secular markets has for the most part just led to more cultural balkanization. For example, the Christian Metal scene that is separate both from the wider metal culture and wider Christian culture. I just like to make music, knowing that God will be glorified as he chooses to be, and aiming to be a part of that as a vessel of mercy, not a vessel of wrath.

As for the particulars of my beliefs, though I enjoy their music very much (obviously), I am neither Catholic nor Eastern Orthodox. I am Protestant – specifically Reformed/Calvinist. If you’re interested, you can read my thoughts on my faith here.

Enjoy!

In addition to the release date, the first song from the album, Superbia, has been published in its entirety both on the Myspace and the Facebook (though Myspace’s player is a major hit on sound quality; I recommend listening to it through the Facebook page for better sound). The first of the deadly sins, Superbia (Pride) takes the text of Satan’s speech from John Milton’s Paradise Lost and juxtaposes it with clips from the best darn botox-stuffed health, wealth, and prosperity preacher around, Mr. Osteen.

Superbia

Avaritia

And since there are only two previews to speak of this time, I shall reveal the album artwork as well.

Acedia

Luxuria

Gula